Work Title: Gita Govinda
Poet: Poet Jayadeva (12th Century Court Poet)
Rating: 3 of 5 Stars
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A Bird’s Eye View
About the Poet:
The Gita Govinda by the Bengali court poet Jayadeva of the 12th Century, which was done to be enacted as a dance drama, touches on all the emotional aspects of the lovers from separation to the final union. The creative work is divided into 12 Cantos with 8 couplet groups or Astapathi. The cantos speak of the various emotional factors of Krishna and Radha, in the cowherd incarnation. The lyrical ballad describes the parting and reunion of the two lead players of the dance drama.
Little Information About Gita Govinda
The poetry of this work uses the various eight emotions of lovers starting from separation to satisfaction of union with a clever device to be a cathartic spiritual experience. This is essentially a love song with dramatic components in them of an aspirant seeker and the goal of the search. The poet has extensively used the various dramatic and emotional pointers to bring out the flavor of various yearning that is found in the various characters involved in the lyrical song.
This piece is structured for Vasantha or Spring season celebration. Jayadeva introduces many elements which enrich the poetry to be very visual and emotional work. The fact that onlookers feel these elements as part of their emotional growth, is achieved with perfect setting and poetry. The greatest expression of love is found in this work in the form of a description of The Spring season’s scenic elements. The poet plays with the various faun and flora of the season with such poetic finesse that the poems move the minds of the reader.
Gita Govinda in Southern Vaishnavism Tradition
The poetry has traversed through the various parts of India and has been adapted with varying degree of change in the format. In the South, the Vaishnavism of Tamilnadu has adopted this work to be presented in the musical format. The Radha Kalyanam format is set up to bring out the beauty of the poetry and musical scores have been already chosen and a tradition has been created. Of course, the performing group of Bhagavathars and their chorus can experiment as per their Mano Dharam with other ragas for the translation of original work in Tamil.
The work is treated as a spiritual expression of an aspirant seeker of God who eventually finds Him and becomes one with Him. The work is given religious value with the elements of the Bhakti movement. The gathering of the Bakthas’ experience of the presence of God’s grace being bestowed upon them is given more importance in this format.
The Story in a Nutshell
The 12 cantos play around the dramatic scene of separation of Radha and Krishna and eventually how both of them come together. The eight various aspects of the heroines’ emotions and Krishna’s mental states are described with exquisite finesse by the poet. The lyrical quality of the work is appealing to the reader who takes pleasure in the detailed expression of the various dramatic elements of the relationship between Krishna and Radha.
My Likes and Dislikes
I liked the fact that the poet uses the lyrical ballad mode to bring out the beauty of the relationship along with their various impressions. In this, the most important aspect would be the human emotions being explored with delicate modes of expression.
My dislike was the fact that I could not read the original work in the Sanskrit language. But the beauty of the poetry was not lost even in translation. I could still connect with the core work in translation.
Personally, I found the poem very erotic and it took me some time to actually fix the spiritual implication in it. Even though I travesed from the Southern version to original Sanskrit version. Bakthi movement has added spiritual value and south has added the ritualistic factor to the work. But no one can miss the lyrical beauty of the work.