Book Title: At Close Quarters
Author: Sonia Narayanan
Rating: 4 of 5 Stars
Get Your Copy: N/A
A Bird’s Eye View
About the Storyteller:
Sonia Narayanan is based in Bangalore and as a writer; she creates stories that are captivating with a nice human twist to it. The storyteller of these pearls of stories has a unique understanding of human mindset. The author weaves in and out of each story with relative ease and she has set them in different parts of India, thus diversifying the whole collection. The characters are built with such care and details that it showed the writer’s sparkle of writing talent.
Story in a Nutshell:
The short stories in this collection are really interesting with multiple level of flavoring, that it covers all the reader’s entertainment requirement with ease. The collection has 10 short stories set at various places and with different types of personalities. The stories start off, as if ambling into the park of storytelling, while holding the feeble thread of an audience attention with great care. These stories are emotionally mature and yet so filled with human fallacies that become the part of our everyday commoner’s life.
My Likes and Dislikes
More than likes, I would say I found a writer who conversed with me. I was captivated by her storytelling style. I loved the fact that the characters were either casual stroke of the brush or intricate painting of Dorian Gray personality feel. There was a taste of R. K. Narayan in the description of the settings but the characters were Sonia’s own. I enjoyed spending time in the scene, while my emotions were the crumbling fourth wall.
There wasn’t much that I disliked about this book, but I did feel that she was hiding from actually placing the dark side without any obscurity. Because in the short story “Anand” I felt she played it safe and left the death of Anand’s wife as a mere apology. Maybe that is the only thing that I felt that the author was not doing it right. I think euphemism is good for certain stories and sometimes one just has to be brutally true in some stories.
But that brings up an unique question within me. Do we have to be graphically explicit in our stories to be authentic? Or just not talking about the bad stuff makes us more palatable writer of reality and social activist causes.
I enjoyed all the ten stories and would love to read it again. But the first impression of the stories can never be replicated. It was a wonderful Indian flavors presented in gentle spirit of being socially right. Great read!